Dorian Sono LuminusDSL-90601
GUT WIND AND WIRE
 BALTIMORE CONSORT

THE MUSIC
Fascinated by the variety of timbres that instruments can produce, Renaissance musicians developed a wide variety of sound colors, ranging from the almost vocal sound of the bowed strings to the chirpy, bird-like sound of the high winds, the twang of the wire-strung cittern, and the buzz of the crumhorns. The sixteenth century musician's love of variety can be seen in the vast array of instruments imitated by organ stops of the period, by surviving instruments and pictures of instruments, and also by eyewitness accounts of the cornucopia of instruments used to provide music for the lavish banquets of royalty. When a group of instruments is played together, whether they be all of the same family or different, a consort is formed.

In true English Consort style, the Baltimore Consort, America's most popular early music ensemble, mixes instruments from different families, The Baltimore Consort was founded to perform instrumental music of Shakespeare's time. Although later joined by a singer, the group's experience of rehearsing purely instrumentally forged its identity as an ensemble dedicated to exploiting the diverse sound colors offered by gut and wire-strung plucked and bowed strings and transverse and end-blown flutes and recorders, capped reeds and percussion. Hence their newest release: Gut, Wind and Wire. Having expanded upon the musical arrangements of Shakespeare's contemporaries, The Baltimore Consort enjoys returning to its origins - the English music for broken consort. The result is music that is an inspiration and a joy, just as it was for listeners in 1600, as witnessed by a poem on the power of music by Richard Edwards.

This recording will give the Baltimore Consort listeners an overview of its instrumental repertory for the last 26 years.

THE PERFORMERS
The Baltimore Consort and Guest Artists
Mary Anne Ballard, viols, fiddle, rebec
Mark Cudek, cittern, recorder, crumhorn, viol
Edwin George, (guest artist) recorder track 1
Larry Lipkis, bass viol, recorder, crumhorn
Ronn McFarlane, lute
Chris Norman, flutes, bagpipe, bodhran 3, 4, 8-10, 12, 13, 15, 24, 29-32, 34-36
Mindy Rosenfeld, flutes and fifes 5, 16-21, 22, 26-28, 33
William Simms, (guest artist) bandora 24, 25, 29

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PROGRAM LISTING
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Prelude | 1. | Scotch Cap | The English Dancing Master 1651 | 1:56 | |
La Rocque 'n' Roll | 2. | Galliard d'escosse | Pierre Phalèse Liber Primus Leviorum Carminum 1571 | 0:35 | |
| 3. | Laroque Galliard | Pierre Phalèse
Liber Primus Leviorum Carminum | 1:16 | |
| 4. | Alemande de Liège | Pierre Phalèse Liber Primus Leviorum Carminum | 1:28 | |
A Scottish Air | 5. | Doun in yon bank | Skene Mandora MS c.1630-33 | 1:51 | |
The Scottish Lute | 6. | The Canaries | The Straloch Lute Book c.1627-29 | 0:52 | |
| 7. | Canaries | The Straloch Lute Book | 1:40 | |
An English Country Ball | 8. | All in a Garden Green | The English Dancing Master 1651 | 1:56 | |
| 9. | Parsons Farewell | The English Dancing Master | 1:51 | |
| 10. | Beggar Boy | The English Dancing Master | 1:53 | |
| 11. | John Come Kiss Me Now | The English Dancing Master | 1:31 | |
| 12. | Newcastle | The English Dancing Master | 1:51 | |
La Rocque 'n' Roll | 13. | Branle double | Michael Praetorius Terpsichore 1612 | 0:50 | |
| 14. | Branle de Montirande | Michael Praetorius Terpsichore | 0:54 | |
| 15. | Branle de la torche | Michael Praetorius Terpsichore | 1:28 | |
Celtic Flute | 16. | Johnny Faa | Scottish traditional | 1:01 | |
| 17. | Chanter's Song | Scottish traditional | 0:58 | |
| 18. | O'Keefe's Slide | Irish traditional | 1:21 | |
| 19. | Sixpenny Money | Irish traditional | 0:34 | |
| 20. | Ten Penny Bit | Irish traditional | 0:35 | |
| 21. | Clare Jig | Irish traditional | 1:17 | |
Ronn's Tunes | 22. | Sycamore | Ronn McFarlane b.1953 | 4:26 | |
| 23. | Indigo Road | Ronn McFarlane | 3:14 | |
The Ladye's Delight | 24. | My Lord of Oxenford's Maske | Consort Lessons 1599 | 1:44 | |
| 25. | The Queen's Treble | Jane Pickering Lute Book 1616 | 1:54 | |
Renaissance Italy | 26. | Bianco Fiore | Cesare Negri Le gratie d'amore 1602 | 0:55 | |
| 27. | Catena d'amore | Cesare Negri Le gratie d'amore | 1:28 | |
| 28. | So ben mi ch'ha bon tempo | Orazio Vecchi Selva di varia ricreatione 1590 | 1:38 | |
Musick's Silver Sound | 29. | Joyne Hands | Thomas Morley Consort Lessons 1599 | 1:26 | |
| 30. | Paven | Thomas Wode's Partbooks 1562-c.1592 | 1:39 | |
| 31. | Galliard | The Dublin Virginal MS c.1570 | 1:20 | |
| 32. | Green Garters | John Johnson c.1540-1595 | 2:37 | |
Celtic Flute | 33. | Pentland Hills | James Oswald Caledonian Pocket Companion 1747 | 2:09 | |
Scotland's Native Airs | 34. | Whip my Toudie | Straloch Lute Book c.1627-29 | 1:45 | |
| 35. | Remember me at Evening | Skene Mandora MS c.1630-33 | 1:55 | |
| 36. | A Scot's Tune | Skene Mandora MS c.1630-33 | 2:08 | |
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Dorian Recordings & Dorian Discovery are distributed in Australia by Rockian Trading
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